firekorn

My bad! Missed the dominant and just used the phrygian so here's the right version for the phrygian dominant with the E root : -0-1-----4-5---7-8---10---12 -0-1---3---5-6-----9-10---12 ---1-2---4-5---7---9-10------13 -0---2-3-----6-7---9-10---12 -0---2-3---5---7-8-----11-12 -0-1-----4-5---7-8---10---12

It's absolutely impossible in a scale to go from 1-4, it's a full and a half step, which doesn't exist in any major scale mode which are only made of half and full step plus the fact that there is 3 half step in what you say but the scale is supossed to have only two half step. What i indicate is all the correct fret for the phrygian in C between the open and the 12 fret. From there you can simply choose to stay at one given position like 5 which will give : -5---7-8- -5-6---8- -5---7---- or -4-5---7- -5---7---9- or ----5---7- -5---7-8- -5---7-8-

It's simple and i'll explain how to recreate this : -------------------------------------------------------------------------------------------------------------------------0-1-3-5-7-8-10-12- -------------------------------------------------------------------------------------------------0-1-3-5-6-8-10-12------------------------- -------------------------------------------------------------------------0-2-4-5-7-9-10-12------------------------------------------------- -------------------------------------------------0-2-3-5-7-9-10-12------------------------------------------------------------------------- -------------------------0-2-3-5-7-8-10-12------------------------------------------------------------------------------------------------- -0-1-3-5-7-8-10-12------------------------------------------------------------------------------------------------------------------------- -E-F-G-A-B-C-D-E --h--f--f--f--h--f--f-- h = half step f = full step The phrygian in C go from E to E (C+2 for the phrygian). The Half steps are between 1-2 and 5-6 so it's between E-F and B-C. From there you start from the low E strings, open because E is in the scale, then it's simple repetition, you have an half step so it's one fret first, then two frets between each consecutive note till you get to the B which will be one fret again (the other half step) etc. And from 12 to the rest you just have to repeat the pattern by just adding 12 to the fret number, 12 being the octave.

For a first try it could have been worse for a MC songs: Lead guitar 78% 246 streak http://i.imgur.com/A5Cat9f.jpg Rhythm guitar 90% 263 streak http://i.imgur.com/BKMIsuz.jpg Bass 94% 437 streak http://i.imgur.com/jludQHc.jpg

There might be some note that would be out of the exact spot that they should be but they won't overlap so none will be deleted. But they would be close anyway.

Yes, if you need you might be able to go even further (1/128) but 99% of the time 1/64 should be enough when resnaping.

Choose a custom grid snap and use a 1/64 then you'll be able to resnap without any problem.

Oh that's good to know, hope it will be available soon! About DD, i thinks it's easier to allow one file with and one without because one will pick the one he prefer and that will stay that way and the way most of the charter create DD allow to have both file easily. Since most of the time i already use bonus arrangement (5 strings bass or real bonus arrangement), it won't always be possible to add this the exact same way for every custom and i prefer to use the same process and setup for every custom.

I just take a look at the four force page and they don't even indicate the weight or the technology of amplification. And comparing the price to what's they "sell", it's seems a bit weird. I don't trust them at first sight. PS : Never trust any video of a guitar player who play around with an amp it doesn't necessarily represent what you will be able to get in the end, depending on how they recorded it, the guitar used, the player, and most of the time they don't even show how they set up the amp.

I think you better go check with the toolkit dev there : http://customsforge.com/forum/56-rocksmith-custom-tool-kit/

Making suggestion based on brand is useless. A brand doesn't define the sound the amp create and it can vary a lot in one brand depending on how the amp was designed. A good amp is a personal appreciation some like when the sounds is crystal clear, other like when it's fuzzy and different amp in one brand can answer to different criteria depending on personal preferences and you can find some equivalent in other brand too if you take your time to look (and hear) different amp. The MG series sound is not the best in my own opinion but it's cheap and good enough to begin with and if he likes the sound of it, i think he should go for it.

I just take a look at the review in different site and at this price and this power it's seems like a good starter amp to me. The MG series seems quite hated by some but i own one myself and it's quite decent, far from perfect but compared to the price at this power it's hard to find something better without doubling the price. At one point if you don't know where to look with all this different advice, just go to a local music store and try some amp with your guitar and see what you prefer.

To be clear, i don't think he need a 100W or even a 50W if it's just starting but i prefer to say out of my own experience that a too small amp will obliged you to change quickly so even if it's cheaper you might not use it a lot in the end and even with my mustang, playing with headphone allow me to get the full potential of the amp without starting a war with the neighbour. It's a good way to practive too since headphones have usually more bass so it gives you a different perspective on your sound. And yeah 20W can be enough to fill a room but it depends on the room you want to fill obviously, without knowing how, when and where he practice it can be hard to give a real good advice on what's best so giving him different point of view can help to make the best choice for him. Concerning the technology uses in amps, there's no right decision because they are the one creating the sound of your guitar so it depends on every one taste. I'm not a fan of tube amp mostly because they induce distortion in the sound that i'm not a fan of and if needed i can reproduce them but the opposite doesn't work but that's my personal view.

I have a MG10 but it's too limited to be really usefull on the long run but the MG15 you show have many more option so it seems like a good choice. The line6 spider are some really good amps that i can only tell you to go for it if you found one cheap enough for your budget. Know that a low power will limit you quickly, the one that can do more can do less, i have a Mustang III and it's a beast (100W) so if you don't want to move it around, i clearly think you should go for more power but if you need to transport it everywhere better stick to some low power that will be lighter.

A 2 year space is most likely, looking at the new AC5, The Division, FC4 that has still to be properly shown and the frequency of DLC (3/5 songs/week). It's more likely that they announce the new RS next year (keeping a 2 year dev for a game by one studio is pretty standard). But i don't know the futur :D

Nop, you have to buy them again if you want to have them on PC.

@@Daikano : Can't play the tapping part (seems absolutely impossible on a guitar) so even if the tone is partially wrong, i can't find anything at the moment and for the distortion tone it seems already quite good for me maybe adding some bass and medium but i'm not sure it will do a big difference in the end. @@MrCscn : you can find your clean tone here under the name "clansmanclean".

Same here but i heard that Uplay was down due to WatchDogs launch day.

Dedicated to syncing tutorial : http://customsforge.com/topic/856-tutorial-for-proper-gp-tab-sync-sectionphrase-authoring-and-more/http://customsforge.com/topic/2393-how-to-get-beat-map/http://customsforge.com/topic/5136-using-beat-markers-to-sync-in-eof/http://customsforge.com/topic/5099-how-to-sync-your-beat-map/

Not happy about my score but i don't really have time to work on this particular songs so that would be my first and final score for this week MasterClass song : Lead guitar at 93% and 133 streak http://uppix.net/lkfu26l.jpg Rhythm guitar at 93.18% and 105 streak http://uppix.net/o5Jnhel.jpg Bass at 99.61% and 302 streak http://uppix.net/lIXytAl.jpg

I'll add some information just in case : Official DLC are around 3 to 5 Mb. WAV ripped directly from a CD and converted in MP3 gives me a bitrate around 180 to 200kb/s to get the same quality of information in the end. A convertion to 192kbp/s ogg seems the best compromise here and it would be a quality settings of 6 in wwise (96k/channel). With this you got a CD quality sounds which is considered to be superior to what the human can actually ear. For more detail about human perception versus quality

I'll send you back to the tutorial list for the beat map sync part : http://customsforge.com/topic/5577-tutorial-list Don't know about the fret hand position and copy. I always use the automatic fret hand position definition and if i need to readjust some by hand after.

the waveform moved with the leading silence but you should move the beat map to set on the waveform and not the other way since the beat map will move when you add a leading silence if you check this option.To erase a beat marker, you can go directly to Beat->All event and delete those you don't want or need from there or select the associated beat and go to Beat->Event to delete it.

The fret hand position is placed where the green bar indicator is. If a note is outside of the standard 4 fret length, RS will adjust the length so that the fret hand position get all the fret. Know that an automatic fret hand position definition exist and works pretty good. For section and phrases, it is placed on the selected beat (-->) and not on the selected note. Section are the selectable part of a song in RS riff repeater and phrases are repeated part of a song for dynamic difficulty. And i think there is a copy paste fonction for section and phrases.

You hand mute the A string. This is a common form, it's a power chord without the fifth, so it's just an octave...