Jump to content

firekorn

Administrator
  • Posts

    4,271
  • Joined

  • Last visited

  • Days Won

    33
  • Country

    France
  • Donations

    0.00 USD 

Posts posted by firekorn

  1. Alright, time to talk about DD and specifically DDC settings.

     

    There's two drop down options which aren't really the core of the issue here but that are probably worth a quick explanation :

    Rampage : Define the general DDC process that will be applied (default is the standard DD creation, remover remove DD and the other are specific conditions in regards to chord). General is the only one worth using when making CDLC.
    Config File : It allow to make fine tuning on the DD creation in regards to the algorithm, the default isn't too bad but i would tend to suggest to use the Keep All Level file to have a more granular progression with DD that would make it slightly closer to oDLC standard. It won't be perfect but it's better than default.

     

    All of those don't really cause your specific "issue" though. The last settings that matters is the "Phrase Length". I think the name speak by itself relatively well but to make it simple : it's the number of measure DDC will put in a single phrase, not one more.

     

    If that settings is lower than your own defined phrases/sections, then you'll end up with new phrases set in places where you have not set any yourself so you'll end up with extra phrases around.

  2. A scale is just indicated how many steps you have inside an octave and how far apart are each step, a major pentatonic uses 5 notes within an octave ("penta") and uses I-II-III-V-VI (I is the Root or Key of the scale).

     

    So in a C pentatonic major, you start on C and then uses D (II) E (III) G (V) A (VI).

    It exist as many pentatonic major as there is notes which is why the key matters as it define where you start (and all other notes that goes with it accordingly).

     

    So all key share the same amount of scales and changing key on guitar is like changing the fret you start with but not the pattern you play.

     

    Obviously knowing where your root is important as it's the starting point, there's other note that are important in different scales as they are key points of the scales (they gives the "color" of the scales like the minor third in a minor pentatonic). That's also what RS indicates with the whole and hollowed block, the whole block are the notes that will always work and define the scale while the hollowed one are more transitionnal note that might not sound as nice in all cases.

    • Like 3
  3. @@jstma the biggest undesirable effet of having sustain everywhere is that it makes reading it messire as you have more clutter on the screen that doesn't actually indicate vital information for the readability and playability of the song. It won't crash or anything and like any rule like this, they are exception that are worth doing. It's up to you and to see how it looks and play to know what's best but that option is there because 99% of the time, that's how it is usually done so someone used to official content will be used to that.

  4. The problem you are fighting against is that 5 strings bass tuning definition in EOF isn't starting on the right point compared to Rocksmith.

     

    EOF when working on a 5 strings bass part have the default tuning (all 0) as BEADG while Rocksmith only knows of 4 strings default as EADG or guitar default of EADGBe so you aren't starting from the correct default situation which leads to problem once you go from one software to the other even if the method is correct.

     

    You need to adjust the number of strings in EOF back to 4 on your bass part so that you work from EADG default tuning which is what Rocksmith use.

×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines. We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue. - Privacy Policy