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A few questions about the Fret Hand Positions command:
1) I keep getting these weird things -- like notes being changed when I KNOW I'd already checked them for accuracy.
Now I'm thinking this has something to do with the fret hand positions -- maybe I just don't understand all the warning prompts when I'm trying to save (more on saving later).
I don't remember the exact dialogue, but when the fret position warning pops it gives me an either/or question (something about regenerating fret positions or adjusting notes) with a Yes/No response (which is part of my confusion, causes a logical brainfart).
Does this mean EOF reset the notes according to the fret hand position?
I sure hope not. But it seems that way. To me, the notes should have primacy over everything.
2) I'd been allowing EOF to set the fret hand positions, but now I think that's wrong -- is this something I should have been doing myself all along? That is, as I set down the notes, I should give the fret hand position right away? (I realize most people are just importing GPro files, but there are a couple of people using EOF to chart directly)
3) How do you give the Fret Hand Position for a slide?
For example, when I have a note that starts on the 7th fret (Fret Hand Position at 6th fret) and it slides up to the 9th fret (into FHP 8th fret) should I mark the new fret position at the END of the slide? Or in the middle of the slide?
4) Most of the time when I'm saving, I'm really only looking for a 'quick save'. I just don't want to lose the date I've been imputting -- I'm not worried about fret hand positions, chord fingering, writing lyrics to midi, etc etc. To me that should be part of a separate process - like finalizing the track for the .xml.
Maybe the first prompt should be something like "Finalize track for XML?" and if the user chooses no, the save just affects the notes/changes made since the last save. Would it be possible to implement something like this?
Choosing 'yes' initiates the rest of the process -- checking for fret hand positioning, chord fingering, etc.