Airtrooper719

Yeah that worked, but then a few measures in I need to do it again, at that point it starts messing up, I'm guessing there is no way to do it after the first beat?

Thanks I'll give that a try now

Hello, After a bit of reading I decided to buy a copy of Go PlayAlong 4, as it could take me upwards of 1-2 hours to correctly sync some of my songs the EOF way (odd time sigs, groove metal etc) when I would rather spend that time transcribing the correct notes in GP6, and working on tones, quality testing the tab etc. I have so far tried to sync 6 songs in GPA, and all of them are never correctly synced in GPA, they are either starting too early or too late or in one instance, started way before the first beat of the song. Once I import into EOF I cannot simply shift the entire grid (from the first measure) to the right a little bit, because it now has a plethora of beat anchors, so the grid gets crushed in between measures after it (hope that makes sense?)....[is there a way to move the entire grid whilst keeping the anchors at their respective distances?...kind of like a "keep aspect ratio" type of thing when resizing a window] I did finish those 6 songs by syncing manually, and it was a big PITA due to all the BPM/sig changes (that's Lamb of God for you!) but I am looking to continue pushing forward and pumping out quality charts. I'm not convinced that GPA could be this bad. Do you all use Auto Sync, or do you use Manual Sync?

Typical forum "know it all". Care to try your CDLC today then....mate?

I used to get loads of 100% accuracies when I owned a Charvel DS2 ST loaded with a 9v Active Humbucker and routed with a TASCAM US-100 with the raw input boosted to the rocksmith realtone cable. Since switching to PRS, using passives and the guitar is plugged straight from the RT cable to the USB port the ONLY song I have ever gotten 100% accuracy on is the stock game song "Are You Mine? - Arctic Monkeys". This game is very fun to play with actives and an interface acting as a preamp, hit registration is actually flawless, but playing it as intended and with passive pups, is meh even on a high-end PC running at max settings, 1080p, 144hz with Nvidia Gsync enabled. Interface input boosting works different than the in-game audio boost option, in the sense that, you can really drive up your signal without losing your trebles and note definition, infact it makes note dynamics far better. Also, the rocksmith cable is high-impendance so you naturally lose your trebles, I think the interface trick actually makes your signal low-impendance, which means most of your guitar tone is still there when it reaches the game. The best thing I remembered from playing with this configuration, is that sustain was amazing, you try performing a full step bend and vibrato and get it to sustain in rocksmith for 7-8 seconds..... not happening. With the interface as a precursor, its easy as pie, almost like having a tubescreamer apart from, it does not distort clean tones in the game if you tune it to the correct +Db.